{"id":2041,"date":"2019-08-23T19:14:06","date_gmt":"2019-08-23T19:14:06","guid":{"rendered":"http:\/\/sonido13.com\/?page_id=2041"},"modified":"2020-05-10T18:48:20","modified_gmt":"2020-05-10T18:48:20","slug":"julian-carrillo-70","status":"publish","type":"page","link":"https:\/\/sonido13.com\/index.php\/julian-carrillo-70\/","title":{"rendered":"JULIAN CARRILLO"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"has-vivid-cyan-blue-color has-text-color wp-block-heading\">Las composiciones musicales que a continuaci\u00f3n aparecen, y est\u00e1n a disposici\u00f3n de nuestros visitantes carecen de todo inter\u00e9s lucrativo y cumplen \u00fanicamente con el prop\u00f3sito de difundir la obra te\u00f3rico-musical del m\u00fasico mexicano Juli\u00e1n Carrillo y su obra llamada Sonido 13. <\/h4>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>SEXTETO PARA CUERDAS (1900)<\/strong><br>1.- Allegro con br\u00edo.<br>2.- Largo non troppo.<br>3.- Scherzo.<br>4.- Allegro maestoso.    <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/Sexteto-para-cuerdas-4.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>1era SINFON\u00cdA en D Mayor (1901)<\/strong><br>1.- Largo-allegro.<br>2.- Andante sostenuto.<br>3.- Scherzo (allegro non troppo).<br>4.- Allegro con fuoco.     <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/1-SINFONIA-EN-D-MAYOR.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>PRELUDIO A COL\u00d3N (1925)<\/strong><br>Soprano en 4os de tono y conjunto de&nbsp;c\u00e1mara en 4os, 8avos y 16avos de tono.      <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/PRELUDIO-A-COLON.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p>  <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>SONATA CASI FANTAS\u00cdA (1926)<\/strong><br>Viol\u00edn, cello y guitarra en 4os de tono.<br>Octavina en 8avos de tono.<br>Arpa y corno en 16avos de tono.   <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/sonata-casi-fantasia.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>CONCERTINO (1927)<\/strong><br>Viol\u00edn, cello y guitarra en 4os de tono.<br>Octavina en 8avos de tono.<br>Arpa y corno en 16avos de tono y<br>Orquesta sinf\u00f3nica.     <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/Concertino.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>EN SECRETO (1927)<\/strong><br>Cuarteto para cuerdas en 4os de tono.     <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/En-secreto.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p>  <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>MEDITACI\u00d3N (1927)<\/strong><br>Cuarteto para cuerdas en 4os de tono. <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/MEDITACION.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>HORIZONTES (1947)<\/strong><br>Viol\u00edn 4os de tono, cell 8avos de tono,&nbsp;<br>arpa en 16avos de tono y orquesta sinf\u00f3nica.    <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/HORIZONTES.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>BALBUCEOS (1958)<\/strong><br>Piano de 16avos de tono<br>y orquesta sinf\u00f3nica.   <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/BALBUCEOS.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p>  <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>3era SINFON\u00cdA (1945)<\/strong><br>1.- Allegro tempestuoso.<br>2.- Tiempo lento.<br>3.- Scherzo. Algarab\u00eda. Vivace.<br>4.- Final. Allegro \u00e9pico. <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/Tercera-sinfonia.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>1er CONCIERTO PARA VIOL\u00cdN (1949)<\/strong><br>en 4os de tono<br>1.- Poco lento.<br>2.- Lentamente.<br>3.- Final. Allegro-lentamente.   <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/1er-Concierto-Para-Violin-Y-Orquesta.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>2a SUITE PARA ORQUESTA<\/strong><br><strong>\u00ab&nbsp;LOS NARANJOS&nbsp;\u00bb (1903)<\/strong><br>1. Lento-Allegro Agitato<br>2. Alborada<br>3. Intermezzo<br>3. Final (Ep\u00edlogo y Fuga Doble). <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/LOS-NARANJOS.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p>  <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>CUARTETO (1903)<\/strong><br>en mi bemol<br>1. Maestoso-Allegretto<br>2. Scherzo-Allegro<br>3. Largo<br>4. Final <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/CUARTETO-EN-MI-BEMOL.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>MISA A S.S. JUAN XXIII (1962)<\/strong><br>en cuartos de tono para voces masculinas a capella<br>1. Kyrie<br>2. Gloria<br>3. Credo<br>4. Sanctus-Benedictus  <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/MISA-A-JUAN-XXIII-6.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>1a SONATA EN MI MENOR A PAGANINI &nbsp;(1939)<\/strong><br>Para viol\u00edn solo.<br>1.- Largo.<br>2.- Fuga, poco libre.<br>3.- Final.  <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/sonatas-para-violin-solo-dedicadas-a-Paganini.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p>  <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>CUARTETO ATONAL A DEBUSSY (1926)<\/strong><br>Para cuarteto de cuerdas.<br>1.- Allegro.<br>2.- Lento misterioso.<br>3.- Scherzo.<br>4.- Final. Allegro impetuoso.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/cuarteto-atonal-Filadelfia.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>TRIPLE CONCIERTO (1941)<\/strong><br>Para flauta, viol\u00edn, violoncello y orquesta.<br>1.- Maestoso.<br>2.- Lentamente.<br>3.- Scherzo-Largo-Scherzo.<br>4.- Final quasi fuga. <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/Triple-concierto-para-violin-violonchelo-y-flauta.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>1er CUARTETO (1924)<\/strong><br>en 4os de tono<br>1. Poco mosso<br>2. Lentamente<br>3. Scherzo. Allegro<br>4. Allegro. Final<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/1er-CUATETO-EN-4os-DE-TONO-8.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p>  <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>2o CUARTETO (1925)<\/strong><br>en 4os de tono<br>1.- Poco mosso. Libre en tempo.Sin metr\u00f3nomo.<br>2.- Scherzo. Allegretto.<br>3.- Lentamente.<br>4.- Final. Allegro.  <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/2o-cuarteto-en-cuartos-de-tono.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>3er CUARTETO (1925)<\/strong><br>en 4os de tono<br>Para Cuarteto de cuerdas.<br>1.- Allegro agitato.<br>2.- Largo.<br>3.- Allegro agitato en\u00e9rgico. <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/3o-cuarteto-en-cuartos-de-tono.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"has-vivid-cyan-blue-color has-text-color wp-block-heading\">Seis casi sonatas en cuartos de tono para violoncello interpretadas por la Maestra Jimena Gim\u00e9nez Cacho<\/h4>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SONATA I<\/strong><\/p>\n\n\n\n<p>1.- Como recitativo<br>2.- Como recitativo<br>3.- Final<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/1-Como-recitativo.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/2-Como-recitativo.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/3-Final.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SONATA II<\/strong><\/p>\n\n\n\n<p>4.- Solemne<br>5.- Arm\u00f3nicos<br>6.- Allegro<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/4-Solemne.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/5-Armonicos.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/6-Allegro.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SONATA III<\/strong><\/p>\n\n\n\n<p>7.- Solemne<br>8.- Allegro agitato<br>9.- Lento solemne<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/7-Solemne.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/8-Allegro-agitato.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/9-Lento-solemne.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SONATA IV<\/strong><\/p>\n\n\n\n<p>10.- Largo, como improvisado<br>11.- Allegro<br>12.- Final allegro<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/10-Largo-como-improvisando.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/11-Allegro.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/12-Final-Allegro.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SONATA V<\/strong><\/p>\n\n\n\n<p>13.- Lento solemne<br>14.- Allegro vivo<br>15.- Allegreto<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/13-Lento-solemne.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/14-Alegro-vivo.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/15-Allegreto.mp3\"><\/audio><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SONATA VI<\/strong><\/p>\n\n\n\n<p>16.- Allegro <br>17.- Lento solemne como recitativo<br>18.- Final allegro moderato<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/16-Allegro.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/17-Lento-solemne-como-recitativo.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2019\/01\/18-Final-Allegro-moderato.mp3\"><\/audio><\/figure>\n\n\n\n<p> <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"has-vivid-cyan-blue-color has-text-color wp-block-heading\">Obras interpretadas por el maestro Ang\u00e9los  Quetzalcoatl<\/h4>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Suite para guitarra en 4os de tono (1931)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Preludio<\/li><li>Lentamente<\/li><li>Gavota Versallesca<\/li><li>Jarabe allegro<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/1-Preludio.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/2-Lentamente.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/3-Gavota-Versallesca.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/4-Jarabe-allegro.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p> <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>3 preludios en semitonos (1955)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Primer preludio<\/li><li>Segundo preludio<\/li><li>Tercer preludio<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/5-Primer-preludio.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/6-Segundo-preludio.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/7-Tercer-preludio.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>2 Preludios para guitarra Carrillo(1955)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Primer preludio<\/li><li>Segundo preludio<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/8-Primer-preludio.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/9-Segundo-preludio.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p><strong>2 estudios en 4os de tono (1931)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Estudio No. 1<\/li><li>Estudio No. 5<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/10-Estudio-No.-1.mp3\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/11-Estudio-No.-5.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"has-vivid-cyan-blue-color has-text-color wp-block-heading\">Obras interpretadas por el  Maestro Carlos F. Undiano Errej\u00f3n,  agradeciendo a Addi Corpus Ram\u00edrez por esta aportac\u00edon<\/h4>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Preludio para piano No. 1 (1920)<\/strong><\/p>\n\n\n\n<p>Ilus\u00edon<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/Preludio-No.1-Ilusion.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>Preludio para piano No. 2 (1920)<\/strong> <\/p>\n\n\n\n<p>Nost\u00e1lgico<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/Preludio-No.2-Nostalgico.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>Preludio para piano No. 3 (1920)<\/strong> <\/p>\n\n\n\n<p>Plenilunio en Tepepan<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/Preludio-No.3-Plenilunio-en-Tepepan.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p> <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Preludio para piano No. 4 (1920)<\/strong><\/p>\n\n\n\n<p>Scherzando<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/Preludio-No.4-Scherzando.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>Preludio para piano No. 5 (1920)<\/strong> <\/p>\n\n\n\n<p>Miercoles Santo<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/Preludio-No.5-Miercoles-Santo.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>Preludio para piano No. 6 (1920)<\/strong> <\/p>\n\n\n\n<p>Media Noche<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/Preludio-No.6-Media-Noche.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n\n\n\n<p> <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Reverie para piano (1900)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/sonido13.com\/wp-content\/uploads\/2020\/02\/Reverie.mp3\"><\/audio><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-vivid-red-background-color has-vivid-red-color is-style-dots\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Las composiciones musicales que a continuaci\u00f3n aparecen, y est\u00e1n a disposici\u00f3n de nuestros visitantes carecen de todo inter\u00e9s lucrativo y cumplen \u00fanicamente con el prop\u00f3sito de difundir la obra te\u00f3rico-musical del m\u00fasico mexicano Juli\u00e1n Carrillo y su obra llamada Sonido 13. SEXTETO PARA CUERDAS (1900)1.- Allegro con br\u00edo.2.- Largo non troppo.3.- Scherzo.4.- Allegro maestoso. 1era [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":-4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"wf_page_folders":[7],"class_list":["post-2041","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/pages\/2041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/comments?post=2041"}],"version-history":[{"count":83,"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/pages\/2041\/revisions"}],"predecessor-version":[{"id":2173,"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/pages\/2041\/revisions\/2173"}],"wp:attachment":[{"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/media?parent=2041"}],"wp:term":[{"taxonomy":"wf_page_folders","embeddable":true,"href":"https:\/\/sonido13.com\/index.php\/wp-json\/wp\/v2\/wf_page_folders?post=2041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}